The first’s and only museum in the world dedicated to the acclaimed American punk rock band Ramones is located in Berlin. Made in chronological order the museum is divided in two basement rooms: the first show pieces of from 1975 to 1985 and is dedicated to the beginning of the punk movement. The second room is presents the second phase of the group, between 1985 and 1996. Among the objects to be seen the exhibition shows previously unpublished photos, autographed posters, clothing of the musicians, signed first editions of various publications and much more.
The glittery times of the Berlin cabaret! As promised, the continuation of post Where does Berlin come from – Part I, about the history of Berlin…
After the WWI and the German Revolution in 1918 the Emperor Wilhelm II abdicated and the German Monarchy was abolished, giving place to the Weimar Republic. After almost a decade of struggle with high unemployment and hyperinflation, came in 1924 a period of relative stability: the so called Golden Twenties. Literature, cinema, and music entered a phase of great creativity. Street theatre, the cabaret scene and jazz bands became very popular. The Bauhaus and its traces and curves reflected not only a new form of architecture, but also a new way of thinking. Berlin was considered the continent’s gay capital. The art scene was just fabulous and extremely vanguard. Potsdamer Platz became the busiest traffic center in all Europe and the heart of Berlin’s night life.
To be continued…
Berlin Fotofestival 2013 presents: Wall on Wall by Kai Wiedenhöfer. A Photo exhibition on the Berlin Wall about Walls that worldwide separate people.
Over a length of 364 meters at the back of the East Side Gallery, the longest piece of the Berlin Wall still standing, 36 panoramas, each 9 x 3 m tall, to see pictures of walls from 8 regions of the world – walls that separate people, perpetuate conflicts where dialogue is necessary. The images were produced by the Berlin photographer Kai Wiedenhöfer.
Since 2006 he has photographed eight border and separation walls around the world: in Baghdad, between North and South Korea, Cyprus, between the U.S. and Mexico, between Spain and Morocco, around the Palestinian territories, in Belfast and at the former German-German border .
In 1989 Wiedenhöfer photographed as a young student the fall of the Berlin Wall. For him it was the most exciting and positive political event of his life. Like many other people at the time he believed that with the fall of the Berlin Wall other walls would be torn down too. Years later proved the opposite. Old walls were cemented; new ones were added as a result of conflict – in Europe, USA and the Middle East. Shocked and to show that walls are not a means to solve global political and economic problems of our time, Wiedenhöfer launched its long-standing gigantic wall project.
“The greatest cultural extravaganza that one could imagine”, said David Bowie about Berlin in the 1970s. Although that city, heart of the Cold War, might not exist any more, its greatest and unimaginably cultural extravaganza is as alive now as then – and as it seems to have always been. During its seven centuries, the turbulent and multiple existence of Berlin went through drastic transformations, for the good and for the bad. There’s one aspect however that despite all changes remains through time along its fascinating history: a diverse cultural spirit of vanguard and love for bohemia and arts.
At the reign of Frederick II (1740-1772), an enthusiastic for music, arts and literature, Berlin became a center of the Age of Reason. Guided by Enlightenment ideas, it was a time of great cultural movements and sociopolitical reforms. Later, in the beginning of the 19th century and oddly during the stagnation after Napoleon’s invasion, an intellectual boom floured cafés and salons, attracting thinkers such as Hegel and Ranke. About the same time the already heading Industrial Revolution started showing sings of its astonishing transformation in the World and, in a special manner, in Berlin.
In the early new century, with the construction of more than 1000 factories, the then capital of Prussia became a center of technology, a symbol of modern metropolis and international city. The population expanded dramatically and outlying suburbs including Wedding and Moabit were incorporated. Popular culture evolved in parallel. In the music scene there has been a huge number of ballads about life in Berlin, like the famous “Das ist die Berliner Luft”(That’s the Berlin air”) from Paul Lincke.
To be continued…
Berlin is famous for its kilometres of an exuberant street art. The strong local scene attracts artists from all around, many of them worldwide known. Here some of the most famous pictures to be seen.
The most-popular painting of the East Side Gallery The Kiss was first paint in 1990 right after the Wall Fall. Made by the Russian artists Dmitri Vladimirovich Vrubel it is a close-up of the two communists leaders Leonid Brezhnev and Erich Honecker kissing, inspired by the real kiss they had in 1979 during the celebration of the 30 years of the DDR.
Blu is an Italian artist with many famous and huge works around Berlin. On many occasions between 2006 and 2009 he worked in the city, mostly in the alternative neighbourhood Kreuzberg. The first one above was a co-working with the French photographer J-R.
By Os Gêmeos
Born in São Paulo Os Gêmeos (in Portuguese The Twins) are the best known graffiti artists in Brazil. The identical brothers consider Berlin their favorite city in Europe and left their mark on a big wall near the subway station Schlesischer Straße.
The French Ash belongs to the first wave of street artists in Europe. He participated to the Backjumps exhibition in Berlin where he realized the work called astronaut / cosmonaut on a wall of a typical Kreuzberg building in the centre of Berlin.
The Teufelsberg – in German Devil’s Mountain – is one of the highest hills in Berlin. More than a great view and intriguing scenery this place owns a very unique story. It all begins with the fact that all its 115 meters high are actually artificial – a heaped up of the World War II rubble. This war garbage hills are actually quite common in Germany, but Teufelsberg buried a quite particularly bizarre leftover junk: the never completed Nazi military-technical college (Wehrtechnische Fakultät) designed by Albert Speer, the first architecture of the third Reich. After the war the Allies tried using explosives to demolish the school, but it was so sturdy that covering it with debris turned out to be easier. Plant with greenery the Teufelsberg has been since then the highest hill in West Berlin.
But that’s not it. Thereafter, during the cold war, the US National Security Agency (NSA) built one of its largest listening stations on top of the hill, which proved to be the best vantage point for listening to Soviet, East German, and other Warsaw Pact nation’s military traffic. The station operate until the fall of the Berlin Wall. The equipment was then removed, but its weird structured stayed.
During the crazy 90’s in Berlin the abandoned and eccentric construction inspired the youth, which transformed the place with street art and turned it into a point for clandestine parties. Nowadays, almost always guarded by security guards, the place is still worth visiting, both for the nature that surrounds it as for the its uncommon picture.
Amstel House is a cheap hostel and the perfect place to start this and other adventures in Berlin. Take a look in our website www.amstelhouse.de
If you should believe the popular mockery going around Berlin these days then this nine year-old event is nothing more than a posh assembly of mediocre artist putting up a nice show-off. The glam is on but the concept is allegedly missing. We hear you, critics. The exorbitant funds galleries invested into a two-day venue could be allocated into more long-term projects of even higher quality aiming to attract wider audiences. However, we also agree with the galerist Tim Neuger that the weekend’s main objective remains to introduce 51 emerging artist on an international platform of Berlin, creating an an enviroment where the artist’s body of work, an exhibition place and a spectator merge in one. Admittedly, there is art that does not fit the gallery space whether by accident or design but that is not a reason to not enjoy the event for what it is and simply be a consumer. Here the highlights!
‘It’s the rules and conventions that hold us a prisoner’, she once said. ‘I wanted to make it them invisible’. So, a couple of years ago Eva Kotatkova turned her grandmothers’ aparment, a leftover from a socialist era, into a personal cave. She boarded herself in a corner, installed a false floor with tight openings in which she resided. She shot the whole process on camera. As a result, a person feels confined in a space and its movements are limited. When she presented her work as a part of ‘Using Own Language’ exhibition she built a tunnel – the only way to enter her exhibiton was to squeeze through the unstable construction. This time, this awarded Czech artist, introduces her paintings, collages and sculptures in the Meyer Riegger Gallery.
Barbara Weiss Gallery in Kreuzberg invites you to see works of Ayse Erkmen. Ever fleeting, avoiding the timeless, relying simply on flexibility of time and place and the reality of then versus now, the Instabul born artist reconstructs old sculptures and steers away from longing for the new. In 1994, walking down Oranienstraße you may have noticed a string of black words painted on a facade of one of its houses. Harking back to her heritage, these words were no real words they were verb endings. Verb endings used in Turkish language describing a story from a perspective of the others. Split between two cultures, she rarely interprets her art. It does seem like it tells a story of its own. Or you do?
First woman to ever win the Grand Austrian State Prize, Maria Lassnig made the Capitain Petzel her temporary weekend getaway. Focusing on body awarness, this pioneer of Austrian art scene, accentuates the striking world of human emotions. Her work as seen in Karl Marx Straße, has never before been exhibited outside her own studio. Don’t miss it!
The Isabella Bortolozzi Gallery has certainly hit the jackpot with Oscar Murillo. This young painter, a graduate of London Royal College of Art cerainly won’t dissapoint. He’s been known as constantly crossing the line of ideal concepts of the ‘Making Of’. He often works with video and participatory installations. A manifestation of body in transit, Murillo defies the traditional way of making art within the walls of one’s studio as a potential for functionalism and liberation. He sees these aspects within a community, out on a street or at parties and they posses the same importance and stimulation as the aformentioned.
Certainly, the Gallery Weekend could use less glam and more modesty but when splurge why don’t do it in style? ‘Special about weekend is the fact that we invite the art public to visit our galleries. It should not be anything special, really but the more marketed the art is the more it moves away from its point of origin and that is our goal – to bring back the art to places where it is truly presented and exhibited’. So much from the gallerist herself, Joanna Kamm. Keep your eyes and minds open and you may be surprised what this upcoming weekend may bring!
What: Berlin Gallery Weekend
Where: overall Berlin
All of you aspring artists, illustrators and designers out there, perk up. There is no better way escape from grating Easter winterland than to take part in world’s leading contemporary character festival taking place in Berlin. Pictoplasma presents year after year an astounding mixture of art dialogue, fascinating conference lectures and animation screenings. Presented by more than dozen artists and accompanied by 25 character walk exhibitions, this event becomes more than just your typical weekend getaway. Pictoplasma not only connects but educates and creates unique characters on a new level.
You’ve been a doodler ever since they invented school desks? Then the container of Platton Kunsthalle promises to gather the best of the best for an out of this world doodling sessions – just drop in on the Character Lab. You might find yourself performing next to the imaginary Sound Creatures of David Kamp. Pass by the Platoon Bar to meet new enthusiastics and bond over great coffee or over cold beer. This years’ highlights on this vivid creative platform include Sue Doeckson, whose love for scissors, glue and paper seems to be infectious and monster knitting sensation from the US – Anna Hrachovec.
Divided into four different categories – Characters in Rythm, Motion, Narration and Psychadelic Midnight Mix, the Babylon screen brings to life new born characters in a large selection of short films, motion graphics and experimental jobs. There is also something for the youngsters – Mini Plasma is dedicated to them.
Character Walk Exhibitions 2013
Character Walk Exhibitions takes in 2013 a huge leap. More and more Berlin neighborhoods tend to open up to art these days and so this years’ Walk caters not only to Mitte art fans but invites the emerging scene of Kreuzberg and Neukoelln to tag along for the ride. This year’s tour is made of more than twenty galleries, art venues placed at various spots in the city. This part of the festival bustles with creative energy as it boasts a number of installations and sculptures both in limited festival editions.
Where: BABYLON am Rosa-Luxemburg-Platz,
PLATOON KUNSTHALLE Berlin,
AND 20+ ART SPACES
When: 10 – 14 APRIL 2013
More than two thousand years later his story doesn’t cease to fascinate. No other emperor has been a subject of more exhibitions than this young Egyptian fellow who’s life, believe it or not, was cut short by a banal tooth infection. Last time Germany hosted an exhibition dedicated to the pharaoh of the 18th dynasty was almost three decades ago. In 1980 it housed the largest display on record – 53 original tomb pieces toured the cities of Berlin, Munich, Hannover and Hamburg in a never-seen-before public presentation.
At the height of Tutankhamun fever, his personal objects and other significant archeological relics had been touring the world for over 20 years. Frowned upon by Egyptian government back then, most of them rest now within the walls of Egyptian Museum in Cairo. Any future travelling exhibitions of these archeological treasures depend solely on the will of Egyptian authorities and are very likely banned for for the years to come.
The current Berlin show is special in a way because it doesn’t display original ancient artifacts but modern replicas coming from the Motherland Egypt and its Fine Art company. They’re esentially plastic products covered by synthetic materials. One could argue about the appeal and the sense of replicating objects as opposed to standing face to face with the originals but the Berlin exhiibiton tries to convey more than that. The organizers’ effort was to educate and inform visitors on ancient Egypt’s history in an interactive way. In addition to introducing more than 1000 items including funerary shrines, three coffins and sarcofaghus, it provides large panels focusing on the empire’s history, religion, science and geography.
Three short films get visitors acquainted with three main historical figures of the period: Amenophis III, Akhenaten and Tutankhamun. Followed by a short documentary on the discovery of the grave, the Berlin event proves an attempt to approach the topic with the respect it deserves. It’s attempt is to raise interest. It certainly doesn’t fail.
Where: ARENA Berlin, Eichenstr.4, Berlin – Treptow
When: From March 9th – ongoing
You are an inspiring artist or a wannabe music producer? Do you have what it takes to manage a music band on tour? Are you a good storyteller but still feel like there is a room for improvement? Do your communication skills leave a lot to be desired? If your answer on at least one of these questions is ‘yes’, we have a summer experience cut out just for you. The Summer University of Arts at the Berlin University of Arts offer a rich variety of high quality seminars and courses collaborating with its departments of performing arts, fine arts, design and music. From 15th of July until mid October you will have the unique opportunity to take up a number of classic master classes or take part in dozens of experimental and academic workshops. As an international artist of any art discipline you will have the chance to experience both the traditional as well as contemporary heritage of the Berlin University of the Arts.
Presented and developed by renowned instructors, The International Summer School of Creative Entrepreneurship offers artist and designers various courses in areas such as: Networking and Communication, Career Planning and Self – Marketing and Organisation and Arts Mangement. Artist often abound in creative ideas that however seldomly lead to a successful businnes. What it takes to turn this powefrul potential into blooming industry? Let Ulrike Müller and her course on ‘Starting your own creative business‘ show you the know -hows. Once your carrer is on track, the question of professional self – promotion comes in. How do you communicate your work in an international environment? Why should it be you and not the others? Discover the do’s and donts of former sales, different negotiations strategies and money talk approach with Ida Storm Jansen and her class on ‘Self-Marketing in the International Art Scene‘.
In the area of Arts Management, Burkhard Glashof, currently tour-managing some of the world’s most prestigious symphonic orchestras, gives you an insight on the role of record companies, PR agencies and concert promoters in carreer of young musicians. Moving on, in a three-day course, run by Karin Kirchoff, you’ll learn how the cultural funding works in Germany, how to write a good application and how to calculate right before you set your sight on performing arts as your line of work.
Accentuating the creative aspect of an artist, courses in Performance include ‘Storytelling – An Introduction’ led by Ragnhild Morch, a professional in storytelling as well as Abbi Patrix from France whose long career with Campagnie du Cercle, makes him a pioneer in the discipline as well as the art of improvisation. Musicians, shouldn’t miss out on the workshops of Music Therapy under direction of Barbra Wheeler . The Louisville professor will present clinical practice and applications designed for people with severe neurological disorders.
If you want to gain perspective on Berlin’s architecture while learning from the best, set on a five-day expedition through Berlin’s museums accompanied by Bettina Habsurg – Lothringen from Musuemakademie Graz. You will analyze, compare and ultimately asses the permanent collections and art aesthetics – sign up for Fine Arts adventure now! Lovers of DesignResearchLabs research and explore the future live-styles in an original workshop led by the University’s best.
- How to apply:
e-mail: email@example.com or www.udk-berlin.de/summer courses.
phone: Stephanie Schwarz/Matthias Manneck/ phone : +49303185-2087, fax : +49 30 318 5 -2690
- Main venue
UdK Berlin Career College, Berlin University of the Arts, 10719 Berlin 1 -12, Germany